I do it real-time while stringing up the top three strings. I place two pickups inside the guitar-one for the top three strings and one for I've installed stereo Fraps in each, which is by far the best way to amplify an acoustic His main acoustics are a Martin D-45 that he got in '69,a pre-war D-18, and a D-28. I'd say he used this guitar for half of Ragged GloryĪnd half of Weld. It sounds very similar, but the pickup is a lot more powerful and not as Has chrome plates over the controls in the back, so I added those too, just to make it Put in an old Firebird pickup and put that exact same kind of Bigsby on. He wouldn't play any other guitar until I finally found another '53 Les Paul gold-top.
Up over the years, and it's very microphonic. Put in the chrome Firebird pickup that's been on there ever since. He had that for about two years, and then he had me Years ago he lost the bridge pickup for it, so they put in a DeArmond adjustable-pole He calls it Old Black, but it's a '53 gold-top that used to have a trapeze bridge. Neil's played that black Les Paul since before I (Larry Cragg) started working with Questions about this material, send a mail to the Rusted-Guitars mailing list for help. A description of some of the equipment that's being used. This is a guide for you to attain that characteristic Neil Young sound when playing You won't sound like Neil, but you'll know way more about his gear than you should.
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